https://ebbamoi.com EBBA MOI Mon, 01 Feb 2021 13:56:24 +0000 https://ebbamoi.com en https://ebbamoi.com/Kautschuk-the-crying-tree Mon, 01 Feb 2021 13:56:24 +0000 EBBA MOI https://ebbamoi.com/Kautschuk-the-crying-tree <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/6da7c1d2f38a11d17885c80c929ffc27a1bf2948f0cadfa1bb61b0d346eeacfd/Heggedal_workshop.jpg" data-mid="97822168" border="0" src="https://freight.cargo.site/w/1000/i/6da7c1d2f38a11d17885c80c929ffc27a1bf2948f0cadfa1bb61b0d346eeacfd/Heggedal_workshop.jpg" /> Kautschuk – The Crying Tree (video and workshop) 2020 Kautschuk - The crying tree, is a video work and participatory project based on the rubber goods production of the Viking rubber factory which was located in Heggedal, Norway during the early 20th century. The film shows a workshop from September 2020 where a local senior theater group rehearses a sound work by the young composer Victoria Finstad Nunes, a work commissioned by the artists. The soundtrack is based on original texts about rubber goods production written by Viking director P.M Røwde in 1920. The texts are composed by Moi and Hedberg and are a poetic description of the rubber boom's development that started in Brazil and spread by the british colonizers to Great Britain and from there to Asia. The work examines power structures in relation to raw materials and the development of industry in a globalized world. It is a known fact that Norway and the western countries have made large economic and social profits in industries that refine raw materials from previously colonized countries. Kautschuk&nbsp; - The Crying Tree is the first part of a planned film trilogy that addresses this. Participants:&nbsp;Holmen theater group / Johan Karlsen, Rygdi Margrete Gabrielsen, Sidsel Rødland Korsvoll, Unni Mølbach, Marit Lovise Kolstad. Director Holmen senior theater / Cecilie Solberg Knudsen Composition / Viktoria Finstad Nunes Film and clip / Audun Severin Eftevåg Film / Benedikte Rønsen Soundhttps://vimeo.com/599092103 https://ebbamoi.com/Fargene-i-Ski Thu, 21 Sep 2017 08:20:13 +0000 EBBA MOI https://ebbamoi.com/Fargene-i-Ski <img width="2408" height="3508" width_o="2408" height_o="3508" data-src="https://freight.cargo.site/t/original/i/273890f1c3d0554762427392ab920aab9d7cc4e492c7c155cbe9b97d5ed7c44e/14.-Fr-og-etter.jpg" data-mid="50501898" border="0" src="https://freight.cargo.site/w/1000/i/273890f1c3d0554762427392ab920aab9d7cc4e492c7c155cbe9b97d5ed7c44e/14.-Fr-og-etter.jpg" /> Colors of Ski (2017-18) In autumn 2017, Ebba Moi carried out a temporary art project at the Ski railway station in collaboration with the local artist Anas Salameh and youth from the town of Ski ungdomsskole. Together, they examined the colors of Ski based on Josef Alber's color theory and the Palestinian-Syrian artist Salameh's hometown of Damascus. What colors do we associate with our hometown? How do the colors affect Ski's identity? Through reflection, dialogue and exploration, the artists and students collaborated to create a color spectrum that represents Ski as of today. The palette we arrived at formed the basis for a larger mural that was made at the Ski station. The mural was completed in September 2017 and stands until the old railway station were demolished in May 2020. Commissioned by KORO. Photos:&nbsp; Signe M Andersen/KORO https://ebbamoi.com/SILO Sun, 24 Jan 2021 11:12:53 +0000 EBBA MOI https://ebbamoi.com/SILO <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/82ea24ff04ab5be0f1e3f70aa026544593057683e2f2ec9edc920173efcf8c63/SILO_21.jpg" data-mid="96235555" border="0" src="https://freight.cargo.site/w/1000/i/82ea24ff04ab5be0f1e3f70aa026544593057683e2f2ec9edc920173efcf8c63/SILO_21.jpg" /><img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/25146982fa68de2a3b8dddc77d81090f285ec7a0db8b43d6c84f2b5fce58754f/SILO_24.jpg" data-mid="96235413" border="0" src="https://freight.cargo.site/w/1000/i/25146982fa68de2a3b8dddc77d81090f285ec7a0db8b43d6c84f2b5fce58754f/SILO_24.jpg" /><img width="1993" height="2000" width_o="1993" height_o="2000" data-src="https://freight.cargo.site/t/original/i/4256119bff593f48e864aebcd60dc8607fb66d45a8d51172dd92f935b01b1795/SILO_03.jpg" data-mid="96235603" border="0" src="https://freight.cargo.site/w/1000/i/4256119bff593f48e864aebcd60dc8607fb66d45a8d51172dd92f935b01b1795/SILO_03.jpg" /> SILO (2018) Et stedsspesifikt temporært verk for Havnepromenaden ved Vippa i Oslo. Sammen med fem elever fra VGS2 ved KDA på Elvebakken, Ea Thompson, Aksel Løvstad, Klea-Clarence, Storm Christensen og Anastasia Mukhina - et prosessbasert offentlig kunstverk til Havnepromenaden og Siloen som ligger ved Vippetangen. Dette er et område sterkt preget av gentrifisering og siloen er fortsatt i bruk, da den fungerer som et mottak for korn fra utlandet som transporteres videre til møller i Oslo. Sammen med ungdommene undersøkte vi siloens funksjon idag utefra visuelle og politiske betydninger. Åtte prints på plastduk på 5 x2,5 meter. Produsert av Signex, invitert av Kulturetaten, Oslo kommune. https://ebbamoi.com/We-are-all-equal Tue, 14 Mar 2017 10:32:27 +0000 EBBA MOI https://ebbamoi.com/We-are-all-equal <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/739daba2d123d0bb0a939a80526ae4c8f9072dcb923bd15ca6cfa46462b24607/_MG_5576_edit.jpg" data-mid="50501864" border="0" src="https://freight.cargo.site/w/1000/i/739daba2d123d0bb0a939a80526ae4c8f9072dcb923bd15ca6cfa46462b24607/_MG_5576_edit.jpg" /> <img width="1359" height="764" width_o="1359" height_o="764" data-src="https://freight.cargo.site/t/original/i/c0777dad50f02fa8de26e9554205344df0e1fcbff3b61834c63039f872477125/linpritz.jpg" data-mid="50501865" border="0" src="https://freight.cargo.site/w/1000/i/c0777dad50f02fa8de26e9554205344df0e1fcbff3b61834c63039f872477125/linpritz.jpg" /><img width="1720" height="964" width_o="1720" height_o="964" data-src="https://freight.cargo.site/t/original/i/64b7d232f51e299bb77281b3eaa8c11339551ec3ae489b5c6cff507b5fa43469/marianne_solberg.jpg" data-mid="50501866" border="0" src="https://freight.cargo.site/w/1000/i/64b7d232f51e299bb77281b3eaa8c11339551ec3ae489b5c6cff507b5fa43469/marianne_solberg.jpg" /><img width="686" height="762" width_o="686" height_o="762" data-src="https://freight.cargo.site/t/original/i/d0ce7f6b3791050a0f3447cff0b614c9bdf992d149f1ad96c7ad984fbbf5bc1f/oppgave_ukelnn.jpg" data-mid="50501867" border="0" src="https://freight.cargo.site/w/686/i/d0ce7f6b3791050a0f3447cff0b614c9bdf992d149f1ad96c7ad984fbbf5bc1f/oppgave_ukelnn.jpg" /><img width="4098" height="2727" width_o="4098" height_o="2727" data-src="https://freight.cargo.site/t/original/i/9ec15d27871550e8f8d9c7f356bf056c439d3dbe7d70ec61b9bb759c65b1c29d/AKS_1814_Revisited_AKS_HighRes-24.jpg" data-mid="50501868" border="0" src="https://freight.cargo.site/w/1000/i/9ec15d27871550e8f8d9c7f356bf056c439d3dbe7d70ec61b9bb759c65b1c29d/AKS_1814_Revisited_AKS_HighRes-24.jpg" /><img width="4256" height="2832" width_o="4256" height_o="2832" data-src="https://freight.cargo.site/t/original/i/e15edf7a0fa99080ce99fcf2f739bc67301a8358a9ddaac848e5689c1ca16820/AKS_1814_Revisited_AKS_HighRes-27.jpg" data-mid="50501869" border="0" src="https://freight.cargo.site/w/1000/i/e15edf7a0fa99080ce99fcf2f739bc67301a8358a9ddaac848e5689c1ca16820/AKS_1814_Revisited_AKS_HighRes-27.jpg" /><img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/54d42cb5a3b3f7d7a5ad548b6b10fab2f9ca1dc447e65ff9832894beeecc22f5/eidsvolldamer_o.jpg" data-mid="50501870" border="0" src="https://freight.cargo.site/w/1000/i/54d42cb5a3b3f7d7a5ad548b6b10fab2f9ca1dc447e65ff9832894beeecc22f5/eidsvolldamer_o.jpg" /> We are all equal (freedom, equality, fellowship)Norsk tittel: Vi er alle like (frihet, likhet, felleskap) 2014 Commissioned by Akershus kunstsenter for the exhibition 1814 Revisited – The Past is Still Present In 1814, the Norwegian constitution was one of the most radical in Europe, inspired by enlightenment ideals, which culminated in the French Revolution at the close of the 18th century. The most important concept of the time was belief in the human rationality. Striving for cooperation between equal human beings, with the Revolution motto Liberté, egalité, fraternité (Liberty, equality, fraternity), was a key social force. According to the dictionary, the word fraternity or brotherhood means “feeling of friendship between, trust, and support between people” (Macmillan Dictionary, which refers also to the slogan of the French Revolution) rather than a family friendship.Even thougj “fraternity” is regarded as a neutral word, it originally referred to actual brothers. “Sistership” orits equivalents in other languages is not generally regarded as a real word. It is nevertheless well known that women played a large role in the French revolution and that it was, for instance, a unified procession of protesting women that eventually brought down the King.&nbsp; If we turn our attention towards Norway, the history shows to a large extent that men have been dominant and that it was, for instance, men alone who composed the Constitution in 1814. Against this backdrop, Moi wishes to look at today´s gender structures in Norway. In her project Vi er alle like (frihet, likhet og felleskap)(tr. We are all equal (Freedom, equality and community) she aims to research what significance our use of language have for our perception of gender? How does language affect our behaviour? How much equality is there in Norway? Not least: are men and women equally represented in public life? Prior to the the exhibition, Ebba Moi and Class 9C from Stalsberg School will reflect on these questions. By means of lectures and discussions, the pupils will be challenged to carry out their own surveys, examination and reflection. The processes and results will be presented in Akershus Kunstsenter as a visual representation of the meetings. Invited Lecturers:Marianne Solberg, lives and works in Telemark county, Norway. Solberg is an academic-literary author and journalist who primarily works in the field of elite and female culture in Norway 1730-1830. Lin Prøitz lives and works in Oslo. Prøitz is visiting researcher at the University of Oslo´s Centre for Interdisciplinary Gender Research and holds a doctorate in media studies. She researches youth and social media with a gender and communication perspective. The project was produced By Akershus Kunstsenter wit support from the Sparebankstiftelsen DNB bank fund and Skedsmo municipality. Curated by Rikke Komissar. https://ebbamoi.com/Frydenberg-skole Wed, 15 Mar 2017 10:25:40 +0000 EBBA MOI https://ebbamoi.com/Frydenberg-skole <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/d32ec46f8c18e0ca3e224014adb0318646bea9fe4b2a9f71fbeda81facf06bdc/fryd.jpg" data-mid="50501899" border="0" src="https://freight.cargo.site/w/1000/i/d32ec46f8c18e0ca3e224014adb0318646bea9fe4b2a9f71fbeda81facf06bdc/fryd.jpg" /><img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/54b56011d1131328e5463532812d4704c7abff6a9c9fd865953ae1268c8ea77d/EH.jpg" data-mid="50501900" border="0" src="https://freight.cargo.site/w/1000/i/54b56011d1131328e5463532812d4704c7abff6a9c9fd865953ae1268c8ea77d/EH.jpg" /><img width="2000" height="1335" width_o="2000" height_o="1335" data-src="https://freight.cargo.site/t/original/i/94f72763de5047ff35a6e27e04cdad951d1ff7b1556e404f64ef5f4108b9b9b7/rli.jpg" data-mid="50501901" border="0" src="https://freight.cargo.site/w/1000/i/94f72763de5047ff35a6e27e04cdad951d1ff7b1556e404f64ef5f4108b9b9b7/rli.jpg" /><img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/7429f12ea1aa80ab653d17e7715962fbfa5d5719ceaf3baceaff030dc1da511a/IMG_6563_o.JPG" data-mid="50501902" border="0" src="https://freight.cargo.site/w/1000/i/7429f12ea1aa80ab653d17e7715962fbfa5d5719ceaf3baceaff030dc1da511a/IMG_6563_o.JPG" /><img width="2000" height="1335" width_o="2000" height_o="1335" data-src="https://freight.cargo.site/t/original/i/33d35f24e4f69cad78d69c488fa37f82e6d8caa9daedfb965ef5e624b9a7b2d4/lykke1.jpg" data-mid="50501903" border="0" src="https://freight.cargo.site/w/1000/i/33d35f24e4f69cad78d69c488fa37f82e6d8caa9daedfb965ef5e624b9a7b2d4/lykke1.jpg" /> Public art project/Offentlig kunstprosjekt til Frydenberg ungdomsskoleOslo, 2013, Kulturetaten i Oslo. Konsulenter: Marianne Hølmebakk og Yngvild FærøyTitler: Speil, speil... og YOU COULD BE HAPPY!! Katalog Kunst i Oslo 2013 med tekst av Kjetil Røed: https://ebbamoi.com/Wherever-Water-Flows Tue, 14 Mar 2017 18:02:08 +0000 EBBA MOI https://ebbamoi.com/Wherever-Water-Flows <img width="1581" height="1300" width_o="1581" height_o="1300" data-src="https://freight.cargo.site/t/original/i/7fd84621f83cd11685895d4b439b54c0d15f4919136d39dec25c9a80e9bbf66f/IMG_1167_.jpg" data-mid="50501876" border="0" src="https://freight.cargo.site/w/1000/i/7fd84621f83cd11685895d4b439b54c0d15f4919136d39dec25c9a80e9bbf66f/IMG_1167_.jpg" /> <img width="3648" height="2736" width_o="3648" height_o="2736" data-src="https://freight.cargo.site/t/original/i/89b9405270f5958aeef2ee697da045978f4ce8a5504269722a99bf61d20b1d69/IMG_1178.JPG" data-mid="50501877" border="0" src="https://freight.cargo.site/w/1000/i/89b9405270f5958aeef2ee697da045978f4ce8a5504269722a99bf61d20b1d69/IMG_1178.JPG" /> <img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/2967e1892f3ac3b97f2db102765fd57303bf53f282ff8adcccc0d46c8f73a072/Lysvandring.15.jpg" data-mid="50501878" border="0" src="https://freight.cargo.site/w/1000/i/2967e1892f3ac3b97f2db102765fd57303bf53f282ff8adcccc0d46c8f73a072/Lysvandring.15.jpg" /> <img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/94c0d19dbba69450081cf42c0b90913dfdd10c9716f2f66248b30bb7f8cc288f/Lysvandring.13.jpg" data-mid="50501879" border="0" src="https://freight.cargo.site/w/1000/i/94c0d19dbba69450081cf42c0b90913dfdd10c9716f2f66248b30bb7f8cc288f/Lysvandring.13.jpg" /> <img width="2835" height="1890" width_o="2835" height_o="1890" data-src="https://freight.cargo.site/t/original/i/874c157ee0be99b80e54706ea4b6c2ace3d3702ea51ac2df81c086d9ea576779/Lysvandring.39.jpg" data-mid="50501880" border="0" src="https://freight.cargo.site/w/1000/i/874c157ee0be99b80e54706ea4b6c2ace3d3702ea51ac2df81c086d9ea576779/Lysvandring.39.jpg" /> <img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/762bea6fe619418ca317f9f307d8745c15aff526a2dd1f2a978e799f540c4920/Lysvandring.41.jpg" data-mid="50501881" border="0" src="https://freight.cargo.site/w/1000/i/762bea6fe619418ca317f9f307d8745c15aff526a2dd1f2a978e799f540c4920/Lysvandring.41.jpg" /> <img width="3888" height="2592" width_o="3888" height_o="2592" data-src="https://freight.cargo.site/t/original/i/6d8a00a34abe7704bf4ed421cd1581b3bef397b0d600855d94ad381a12f28291/IMG_0313.JPG" data-mid="50501882" border="0" src="https://freight.cargo.site/w/1000/i/6d8a00a34abe7704bf4ed421cd1581b3bef397b0d600855d94ad381a12f28291/IMG_0313.JPG" /> <img width="3888" height="2592" width_o="3888" height_o="2592" data-src="https://freight.cargo.site/t/original/i/11ef73135cc4a403e47c037185bc543a739cac5fb84a5e10349f7e2bf72b218a/IMG_0323.JPG" data-mid="50501883" border="0" src="https://freight.cargo.site/w/1000/i/11ef73135cc4a403e47c037185bc543a739cac5fb84a5e10349f7e2bf72b218a/IMG_0323.JPG" /> <img width="3888" height="2592" width_o="3888" height_o="2592" data-src="https://freight.cargo.site/t/original/i/9e1d8fe16c1fa171dd89845e4b5c175c4ca578985c43a07eee8fbd2cadea604f/IMG_0327.JPG" data-mid="50501884" border="0" src="https://freight.cargo.site/w/1000/i/9e1d8fe16c1fa171dd89845e4b5c175c4ca578985c43a07eee8fbd2cadea604f/IMG_0327.JPG" /> <img width="1581" height="1300" width_o="1581" height_o="1300" data-src="https://freight.cargo.site/t/original/i/7e40bd645242a5290f35fb8550d50471f5b77f2a297e365be7d1524c9f076522/IMG_1167__1.jpg" data-mid="50501885" border="0" src="https://freight.cargo.site/w/1000/i/7e40bd645242a5290f35fb8550d50471f5b77f2a297e365be7d1524c9f076522/IMG_1167__1.jpg" /> <img width="3648" height="2736" width_o="3648" height_o="2736" data-src="https://freight.cargo.site/t/original/i/207188a231413226982dfb333ec2142270347844965c58cc7c7f57007677679c/IMG_1178_2.JPG" data-mid="50501886" border="0" src="https://freight.cargo.site/w/1000/i/207188a231413226982dfb333ec2142270347844965c58cc7c7f57007677679c/IMG_1178_2.JPG" /> <img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/3730ec0b7c08c3778b323450774a7ac4b8cc274cd98a7fe9495f3ba1fbd86978/Lysvandring.13_4.jpg" data-mid="50501887" border="0" src="https://freight.cargo.site/w/1000/i/3730ec0b7c08c3778b323450774a7ac4b8cc274cd98a7fe9495f3ba1fbd86978/Lysvandring.13_4.jpg" />Wherever Water Flows Public art project in Groruddalen, OsloIn 2009 the artists Ingrid Lønningdal and Ebba Moi invited youth from Groruddalen to participate in the joint project Wherever Water Flows. The goal was to produce illuminated signs and place them along the Alna river that crosses the valley. The signs are a temporary installation that stands for one year from autumn 2009. The project looked at the use and identity of the area and the signs that was placed there. Who has a voice in this public space? What messages are communicated? How can signs with characters, words or symbols communicate an area?The project was supported by plan og bygningsetatenProduced by MesenThe projects site: Alnavandring https://ebbamoi.com/Art-and-the-New-Chance Tue, 14 Mar 2017 14:50:39 +0000 EBBA MOI https://ebbamoi.com/Art-and-the-New-Chance <img width="3936" height="2624" width_o="3936" height_o="2624" data-src="https://freight.cargo.site/t/original/i/abe4d988eef03fa26fbb7e468c64e5e2714573b78c39bb87587d8d2fd3947ef7/IMGP8811_edit.jpg" data-mid="50501871" border="0" src="https://freight.cargo.site/w/1000/i/abe4d988eef03fa26fbb7e468c64e5e2714573b78c39bb87587d8d2fd3947ef7/IMGP8811_edit.jpg" /><img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/6a43803e962d47161ed420add7b69efef3f5ac61aae537696386104311f7dacd/2013-09-21-17.08.45.jpg" data-mid="50501874" border="0" src="https://freight.cargo.site/w/1000/i/6a43803e962d47161ed420add7b69efef3f5ac61aae537696386104311f7dacd/2013-09-21-17.08.45.jpg" /><img width="2362" height="3239" width_o="2362" height_o="3239" data-src="https://freight.cargo.site/t/original/i/ad8fb023bee5125eb610d6a26e2edfa4f617c30a02a8a2647b36a83f9167db6f/nysjanse.jpg" data-mid="50501875" border="0" src="https://freight.cargo.site/w/1000/i/ad8fb023bee5125eb610d6a26e2edfa4f617c30a02a8a2647b36a83f9167db6f/nysjanse.jpg" /><img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/bad2d283dd922d9d3fae6f3c55b2dd7c55d66c27c3210ef2dfef92e25c55e76a/P9119858.JPG" data-mid="50501872" border="0" src="https://freight.cargo.site/w/1000/i/bad2d283dd922d9d3fae6f3c55b2dd7c55d66c27c3210ef2dfef92e25c55e76a/P9119858.JPG" /><img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/2e6150da04ff648eba7ded1721b216eb04182f6c55d02bad2261a6eeeac9687f/P9119870.JPG" data-mid="50501873" border="0" src="https://freight.cargo.site/w/1000/i/2e6150da04ff648eba7ded1721b216eb04182f6c55d02bad2261a6eeeac9687f/P9119870.JPG" />Art and the New Chance//Kunsten og Ny sjanse Lademoen kunstdialoger21.9 - 13.10 2013 Babel In collaboration with Unit for Adult Education (which is situated in Innherredsveien, in the local area of Lademoen) and its program “New Chance”, Ebba Moi has initiated a dialogue with the pupils about contemporary art and identity. Moi has introduced a school class of minority language pupils to various types of contemporary art through exhibitions and visits to public art in the area, using these experiences as a basis for further discussions. At all times, art has been a question of class and culture. Lademoen is at the bottom of every living condition ranking, and yet it represents great cultural capital because of numerous artists and collections of artists’ workshops, for instance. Through a site specific project in dialogue with New Chance Moi is set to challenge the stereotype about art not being for all. With Art and a New Chance, Moi explores an alternative teaching method: transcending the conventional frameworks and creating meetings between school and artist that are part of more binding, long-term processes. Challenging the system from the inside through a close dialogue with the teachers, pupils and directory can contribute to expand the possibilities for what and where art can exist today. At Babel Moi will present documentation from the meetings and the pupils’ own photographs of their encounters with contemporary art. Lademoen Art Dialogues invited eight 2013 Nordic artists to be involved in influencing a look of Lademoen in people's heads, the district's 'image'. The task was to create new art in some form of dialogue with Lademoen. The artists have been relatively free of development of their projects and the district Lademoen and the role of art is illuminated from several very different aspects Text in Norwegian for Artscene Trondheim in collaboration with Gry O Ulrichsen Fra besøkende til deltakende kunstner https://ebbamoi.com/Forandringer-i-det-norske-landskapet Wed, 15 Mar 2017 19:24:19 +0000 EBBA MOI https://ebbamoi.com/Forandringer-i-det-norske-landskapet Forandringer i det norske landskapet Video til Lørenskog Kulturhus, 2011Kunstkonsulenter: Viel Bjerkeseth Andersen og Henni-Ann Isdahl I samarbeide med Anna Carin Hedberg10,53 min i sv/hvOm prosjektet. https://ebbamoi.com/Wings-of-a-King Wed, 15 Mar 2017 19:34:15 +0000 EBBA MOI https://ebbamoi.com/Wings-of-a-King <img width="3072" height="2304" width_o="3072" height_o="2304" data-src="https://freight.cargo.site/t/original/i/0bd5c990cbc462545b30024c35ff2bba52b2f40c9d8f94f99991d4d0a6d4d9b6/P1000951.JPG" data-mid="50501926" border="0" src="https://freight.cargo.site/w/1000/i/0bd5c990cbc462545b30024c35ff2bba52b2f40c9d8f94f99991d4d0a6d4d9b6/P1000951.JPG" /><img width="3072" height="2304" width_o="3072" height_o="2304" data-src="https://freight.cargo.site/t/original/i/80faff6df4154e59d07afbda15265cceee9e210d3fb1a1c432f37fe2f267c296/2skjermer.JPG" data-mid="50501911" border="0" src="https://freight.cargo.site/w/1000/i/80faff6df4154e59d07afbda15265cceee9e210d3fb1a1c432f37fe2f267c296/2skjermer.JPG" /><img width="450" height="254" width_o="450" height_o="254" data-src="https://freight.cargo.site/t/original/i/790f06295057bdfebfc296b70bd0e076de2af388a4d00aca0e43e1260635d458/img.jpg" data-mid="50501915" border="0" src="https://freight.cargo.site/w/450/i/790f06295057bdfebfc296b70bd0e076de2af388a4d00aca0e43e1260635d458/img.jpg" /><img width="1249" height="647" width_o="1249" height_o="647" data-src="https://freight.cargo.site/t/original/i/0e6fa68b4e4580e6871a8335633064615347d467cd98bb2006ceee3be60454b5/screen1.jpg" data-mid="50501918" border="0" src="https://freight.cargo.site/w/1000/i/0e6fa68b4e4580e6871a8335633064615347d467cd98bb2006ceee3be60454b5/screen1.jpg" /><img width="994" height="633" width_o="994" height_o="633" data-src="https://freight.cargo.site/t/original/i/0c99ab31b76c9e193d628299b50aa4b34121637c83377b8f03075d6e1f532c98/bibliotek.jpg" data-mid="50501922" border="0" src="https://freight.cargo.site/w/994/i/0c99ab31b76c9e193d628299b50aa4b34121637c83377b8f03075d6e1f532c98/bibliotek.jpg" /><img width="3832" height="2256" width_o="3832" height_o="2256" data-src="https://freight.cargo.site/t/original/i/1689ae7262cf6fbe1f7ca838c4584bd0db5d893aa02c5070983ec7be91bc17d4/presentasjon.jpg" data-mid="50501921" border="0" src="https://freight.cargo.site/w/1000/i/1689ae7262cf6fbe1f7ca838c4584bd0db5d893aa02c5070983ec7be91bc17d4/presentasjon.jpg" />WINGS OF A KING Public art comission at Kongsvinger library// Kongsvinger folkebibliotek og Sentrum videregående skole, Kongsvinger 2009Kunstkonsulenter: Elisabeth Mathiesen og Ansgar Ole Olsen Wings of a King er et kunstprosjekt hvor kommunikasjon og samarbeid står i fokus. Tanken er å la det bli et internasjonalt uttrykk som passer kunstverket og som kommuniserer med dagens ungdom. Utsmykkingen er et digitalt og prosessbasert verk, hvor innholdet produseres av en gruppe deltagere i samarbeid med kunstneren. Wings of a King fungerer som en nettside der flyktninger, nye i Kongsvinger, skriver om sitt hjemland, om hvordan det oppleves å være ny i Norge, om lengsel, midlertidighet, kultur og kulturkollisjoner. Det viktigste er å gjøre sin stemme hørt! Wings of a King er en mulighet for å skrive om det man har på hjertet og innta en plass i det offentlige rommet.Deltagere ved 1. jan 2009 er Ghoram Faroq Masi, Afghanistan, Aisha Ahmed Jama, Somalia, Mahbooba og Maryam Paiz, Afghanistan, Tamir Abu-Thabet og Rabaa Iyad Husni Ahmad, Palestina.Skribentene i Wings of a King er unge mennesker som bor i Kongsvinger, men har bakgrunn fra andre land. Gruppen har møtes en gang i uka gjennom et halvt årfor å snakke, skrive og lære om nettpublisering. Bloggen startet vinteren 2008 og under 2010 tas den over av biblioteket i samarbeid med Flyktingerådet i Kongsvinger for å fortsette i regi av kommunen. Design og programmering av Kollektiviti. https://ebbamoi.com/Tenthaus Tue, 14 Mar 2017 15:56:18 +0000 EBBA MOI https://ebbamoi.com/Tenthaus TENTHAUS is&nbsp;an art collective and artist-run space in Oslo initiated in 2009.&nbsp;It's profile is characterized by an open, process-oriented form of participation from an internationally orientated group of artists. The context of contemporary art practice is re-examined through a broader field of activity with exhibitions, workshops, artist's talks and live performances. Tenthaus (TH) has developed from an artist in school project to encompass a project room and exhibition space. TH strives for excellency in art production and facilitates. Our program includes workshops for youth with minority backgrounds, ad hoc residencies, exhibitions, and events. With the launch of Toolkit and Sessions in 2016, we aim to strengthen mediation around our work with youth and artist practice. In the next three years TH will uphold its work with children and youth as well seek to find other relevant contexts to expand and explore our socially engaged practice. Our diversity policy will be further implemented by using migrants as gallery staff and exhibition guides. TH will have a large proportion of female solo exhibitors. www.tenthaus.no <img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/f9fb68ebbc1bd927e331f74bc9919957b177f891c7a5b9b3c7c65d452c0931e5/TENTHAUS1.jpg" data-mid="50501889" border="0" src="https://freight.cargo.site/w/1000/i/f9fb68ebbc1bd927e331f74bc9919957b177f891c7a5b9b3c7c65d452c0931e5/TENTHAUS1.jpg" />